Is it possible that the Renaissance artists used their ability to create such beautiful paintings as a way to distract the viewer from other meanings of their paintings?
Here is a painting by Sandro Botticelli, The Birth of Venus, painted in 1486 – during the Renaissance.
From the d-point (the angled vantage point), two faces emerge – a man’s face on the left and a woman’s face of some sort on the right. You can see how the flesh tones from the two painted character’s legs on the left make up the flesh tones of the man’s face when viewed from the d-point. Our view seems to be from behind, as if the man is looking slightly away and towards the right. His cheekbone and chin line are well defined.
(I have highlighted the faces below.)
The woman’s view also seems to be focused in the same direction as the man’s. Our view is from behind. She seems to be looking away from us and to the left. Unlike the man, she seems to have a greenish skin, almost alien like. Are they both focusing on the goddess Venus?
What was Botticelli attempting to convey with this odd-looking couple?