Archive for 'titian'

The Birth of Venus Faces

Is it possible that the Renaissance artists used their ability to create such beautiful paintings as a way to distract the viewer from other meanings of their paintings?

Here is a painting by Sandro Botticelli, The Birth of Venus, painted in 1486 – during the Renaissance.

From the d-point (the angled vantage point), two faces emerge – a man’s face on the left and a woman’s face of some sort on the right. You can see how the flesh tones from the two painted character’s legs on the left make up the flesh tones of the man’s face when viewed from the d-point. Our view seems to be from behind, as if the man is looking slightly away and towards the right. His cheekbone and chin line are well defined.
(I have highlighted the faces below.)

The woman’s view also seems to be focused in the same direction as the man’s. Our view is from behind. She seems to be looking away from us and to the left. Unlike the man, she seems to have a greenish skin, almost alien like. Are they both focusing on the goddess Venus?

What was Botticelli attempting to convey with this odd-looking couple?

More lion, ape, horse and elephant heads?

Here’s another painting that appears to have animal heads hidden in it – similar to Leonardo’s Mona Lisa. In the Mona Lisa I spotted an ape head, a lion head, a mule head, a buffalo head and from the d-point (vantage point), a crocodile head.

 

This painting is Titian’s Pastoral Concert. Here I spot an ape head, a lion head, an elephant head and what could be a mule or horse head.

Not sure why he didn’t put a crocodile in this one, although he did paint one in his Venus of Urbino (below).

Is this all a coincidence? Maybe.

Did I happen to mention that I found an elephant in Michelangelo’s
Fall and Expulsion from Garden of Eden (Sistine Chapel)?